From confinement to freedom: Analysis of spatiality in the Bitter Tears of Petra von Kant and the Passion of Berenice Del encierro a la libertad: Análisis de la espacialidad en Las amargas lágrimas de Petra von Kant y La pasión según Berenice Academic Article in Scopus uri icon

abstract

  • © 2018 Universidad de Guadalajara. All rights reserved. This article presents the descriptive analysis of the strategies of spatial representation used in The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder and The Passion of Berenice by Jaime Humberto Hermosillo. The study is developed in two phases: mise-en-scène and framing. The paper analyzes the functions of the cinematographic landscape and explains the spatiality or set of meanings expressed through the spaces shown in each film.

publication date

  • May 1, 2018