abstract
- © 2018 Universidad de Guadalajara. All rights reserved.This paper analyzes three Werner Herzog 's films: How Much Wood Would a Woodchuck Chuck (1976), Huie:s Sermon (1981) and God's Angry Man (1981) through his use of the sequence shot as a documentary dex ice. Although the strong relation of this way of shooting with direct cinema. Herzog deconstructs its use to generate moments of filmic revelation, away from a mere recording of events.